Jody Murray

Todo Cambia, UC Merced’s annual Human Rights Film Festival, is about more than film this year.

An exhibition that collects artistic visions from five continents and weaves them into a compelling plea to protect our planet has found the perfect home for the first few months of 2025.

At least that’s how Grace Garnica, manager of UC Merced’s La Galería, sees it. And she has a point: The Central Valley and a university committed to environmental research are ideal for “Actions for the Earth: Art, Care & Ecology.”*

Every year, UC Merced’s UpstART music series ignites the senses by bringing far-ranging genres to the stages. In 2024-25, take a seat for acts ranging from revolutionary mariachi and hip hop/Caribbean/Latin fusion to an improvising, story-weaving cellist … for a start.

More than 170 students have enrolled this fall for classes in UC Merced’s new environmental humanities major, a degree that will prepare them to be advocates and storytellers for the living world.

UC Merced Arts invites everyone to a free performance that serves up whimsy, interactive fun and an inspiring message with a big helping of … operatic singing. 

Thirteen graduating students were honored by UC Merced’s School of Social Science, Humanities and Arts for outstanding academic careers.

It’s a pair of special birthdays for UC Merced’s two student-run journals for undergraduates. The Vernal Pool , which publishes creative stories, poems and images, turned 10 this academic year. Meanwhile, it’s the sweet 16th for the Undergraduate Research Journal , which provides an early taste of the lifeblood of graduate and post-grad research — peer-reviewed publication.

It is impossible to avoid — the real-life event that frames the play “26 Pebbles” is disturbing. Heartbreaking.

Which makes all the more remarkable the play’s uplifting message of human resilience and the ability to come together after an unspeakable tragedy — the mass shooting at Sandy Hook Elementary School in Newtown, Conn.

An exhibit curated by a UC Merced professor reintroduces the seven-decade career of an American artist of Japanese descent who defied systemic racism and created a body of artwork true to her unique vision, even as the mainstream arts community kept her at arm’s length.

There’s nothing small about this year’s Shakespeare in Yosemite production. It boasts the largest cast in the program’s seven-year history and, for the first time, features a full band to deliver the score and propel the musical numbers. The headcount for park staff in the cast is an all-time high.

“The stage will be very crowded for the curtain calls,” director Katie Brokaw said.